Wojciech Pszoniak – hidden despot – Republic

This is one of the most colorful figures in Polish theater and cinema, a man of many talents. In the near “Sunday with …” meeting with Wojciech Pszoniak and his guests. Beginning at 17.15 TVP Kultura.

At this year’s Polish Film Festival in Gdynia received the award for Best Supporting Actor in the picture “eccentrics or the sunny side of the street,” directed by Janusz Majewski.

– Acting is so beautiful that most directly affects human – attempts to define the uniqueness of their profession Pszoniak. – And everything in it stems from what had survived.

The actor wrote his doctorate on Robespierze, the characters he played twice – Teatr Powszechny and the film “Danton” directed by Andrzej Wajda.

– The French gave the Pole this character, because he is with them hated – explains the hero of the program.

Together with Wajda also mentioned joint work with “Possessed” at the Stary Theatre in Krakow issued there in 1971. To see this outstanding presentation on one of the most important scenes came when Polish viewers from across the country. And that just got a clue director – to play “blind”.

Pszoniak also talks about his role in “Flew Over the Cuckoo’s Nest” at Warsaw’s Teatr Powszechny.

– monster. Behind the mask of a man endowed with a sense of humor conceals a despot – provokes Olgierd Lukaszewicz.

Wojciech Pszoniak know each other and are friends since college theater school. Lukaszewicz tells anecdotes from their common life among akademikowego about ejected through the window pans …

– How I read the text, it feels even the smell of shoe polish – says Andrzej Fogtt crafts actor, painter and also his friend.

As an artist in every way it sees Barbara Osterloff, critic and theater historian. Michal Komar, the author talks-river with Wojciech Pszoniak recalls his culinary talents, which he expressed in a written their interesting and inspiring cookery book.

“Sunday with …” complement movies with Wojciech Pszoniak, both directed by Andrzej Wajda’s “The Promised Land” (h. 18.10) and “Korczak” (h. 21.05).

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